I am in Green-Wood Cemetery, on my birthday, beside my parents. We are planted on a grassy slope among stone grave markers, eyes trained on Eiko–my mentor, employer, former professor, who I haven’t seen in six months. I haven’t seen her because of the pandemic, because so many people are dying. It feels right we …
Continue reading “Responding to Eiko’s A Body in a Cemetery”
Published on Dance Enthusiast Audre’s handout, passed around after the performance of her new work, DX ME FIX ME, guides us, the audience, in how to engage with her work. Before asking us to reflect on what we experienced, she writes “Check in with yourself” “Notice you are breathing, you are on the ground.” With …
Continue reading “Responding to Audre Wirtanen’s DX ME FIX ME”
Late March 2020. I’m so tired. I can’t figure out why. I’ve sat in front of a laptop researching disaster grants all day, but the government website keeps crashing. I baked cookies. I walked down my rainy street, veering back and forth to maintain the distance between masked neighbors. These things should not make me tired. I receive a message from a Danspace …
Continue reading “Responding to remembering Okwui Okpokwasili’s Sitting On a Man’s Head”
January 2020. I felt the internal sloshing, bumping, thumping of bone and flesh and breath on floor and skin and air. I felt the sweat dripping off his nose. I felt the squeak of the floor against her thigh. Us, the audience, were let into a secret world of five people who flop, hump, and …
Continue reading “Responding to Melinda Ring’s Strange Engagements”
January 2020. A manipulator (not Aki) seems to know where everything goes. She takes things apart, piece by piece, drawing our attention to the little parts that make up what feels like an eccentric aunt’s attic lab. Glass casks, canisters, bespoke carts, shiny worm-like air vents. It all fits together perfectly, despite looking DIY. The …
Continue reading “Responding to Aki Sasamoto’s Phase Transition”
