I write in response to Andros Zins-Browne’s new work, from the position of a dance artist, former staff member of Danspace Project, and PhD student in Performance Studies. In this reflection, I draw from my knowledge of St. Mark’s Church, conversations with Zins-Browne, and writing from scholar and poet, Fred Moten, who is an advisor of my academic work. The full text can be read or listened to on Danspace Project’s Journal.