NORA RAINE THOMPSON

  • ABOUT
  • WRITING
    • RespondingResponding to shows I see with notes that sometimes end up looking like poems.
    • Essays, Interviews, and Published Work
  • PERFORMANCE
    • Tree Hugger (2025)
    • Rocks (2020-2024)
    • Centipede (2015-2020)
    • For your pleasure but the pleasure is mineu0026nbsp;(2019)
    • If Sand Were Stoneu0026nbsp;(2018)
    • Reflux (2018)
    • Unfinishing (2017)
    • Tight Places (2015)
    • Where We Gou0026nbsp;(2014)
  • VISUAL ART
  • CONSULTING

Essays, Interviews, and Published Work

  • Culturebot: Maia Chao and Lena Engelstein in conversation with Nora Raine ThompsonAugust 28, 2025
  • The Brooklyn Rail: Generating GloryJune 15, 2025
  • Danspace Project Journal: Everything and NothingFebruary 18, 2025
  • Danspace Project Journal: there were always more than one: reflecting on Andros Zins-Browne’s “duel H”April 10, 2024
  • Movement Research Performance Journal Issue #58/59: Fragile Fall / A conversation between Nora Raine Thompson and Nacera BelazaApril 10, 2024
  • The Brooklyn Rail: In The RoomSeptember 1, 2023
  • Danspace Project Journal: Tilting the MirrorJuly 15, 2023
  • The Brooklyn Rail: Sharing OpacityNovember 13, 2022
  • The Brooklyn Rail: In Conversation with Audre WirtanenApril 9, 2021
  • Danspace Project’s Utterances From The Chorus, Volume II: being with and letting goMarch 2, 2021
  • On performing “For your pleasure but the pleasure is mine”February 9, 2019
  • On Eiko’s “Duet Project”November 9, 2018
  • On Eiko’s “A Body In Places: Met Edition” at the Met CloistersNovember 9, 2017
  • On Eiko’s Residency at the Cathedral of St. John the DivineNovember 9, 2016

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NORA RAINE THOMPSON

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